While this collection of articles was interesting, I highly
disagree with the fact that the male falsetto voice went out of style in
popular music. I can point to many popular artists with male falsetto voices from
almost any era; Frankie Valley from the Four Seasons, the Beegees, Michael
Jackson in the Jackson 5, Freddie Mercury in Queen, Nick Carter from the
Backstreet Boys or Justin Timberlake from N*SYNC, Gary LeVox of Rascal Flatts,
Adam Levine from Maroon 5, and Justin Beiber. I think that the high pitched
male singing voice has always been popular and has made adoring fans weak in
the knees, just like the singers with more masculine voices as the author
points out.
I can see the author’s argument about Glee’s ability to
innovate modern pop songs to breakdown gender norms, for example their
rendition of “Defying Gravity” or “Baby It’s Cold Outside.” However, I wouldn’t
say that Glee brought back the male falsetto. If anything, Glee re-popularized
the acapella genre; I can see that being more reminiscent of the all male
groups of the 1920s or of Duwop of the 50s and 60s. I would also agree that the
character of Kurt, in both his sexuality and singing range, has helped rethink the
gendering of diva ballads or the Broadway number. I very much appreciate that
about his character and particularly like the fact that Kurt is often looking
for a powerful female singer to belt out a tune with him.
In regards to Blaine, I also have trouble seeing this
author’s side because I disagree with the author’s point about the stigmatization
of the “crooner” especially when it comes to Blaine. Blain is a dominant male
personality within the show, attractive because he aligns with the masculine
beauty ideal (unlike Kurt), and at one point in the show questions his own
sexuality because he makes out with Rachel Berry. All in all, I see Blaine as a
male lead because of his maleness and Kurt as a male lead because of his sexual
orientation; this distinction, I think, highly affects this author’s argument
about which of these characters brings power back to a high-pitched singing
voice.
And in case my vast knowledge of male falsetto singers doesn't prove my point, look at Nick Pietra who has 27 million + views as he does the Jasmine part of "A Whole New World" from Disney's "Aladdin." Even before Glee, millions of people were fascinated by the fact that this guy can actually sing THAT high.
And in case my vast knowledge of male falsetto singers doesn't prove my point, look at Nick Pietra who has 27 million + views as he does the Jasmine part of "A Whole New World" from Disney's "Aladdin." Even before Glee, millions of people were fascinated by the fact that this guy can actually sing THAT high.
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