Not only is Glee innovative in that it introduces a healthy, male-homosexual relationship on network television, but it also works to deconstruct the stereotypical assumption that all male singers are flamboyant, homosexuals. The world of Dalton, for instance, is the Emerald City of this new age gender fluidity. It is a group of arguably metrosexual teenage men, singing fabulous acapella tunes; however, their sexuality is not addressed (except for Kurt and Blaine). Klaine has become the icon of blissful, gay love that developed through the romantic courting akin to Humphrey Bogart’s classic, Casablanca. They have fallen in love like teenagers do: singing love songs together, holding hands in the hallway and having the inevitably awkward sex talk with their parents—gender has only enhanced the admiration from fans.
One of the most powerful thematic aspects of Glee is that every character is posed as an outcast and attracts “Losers Like Me” from every social stratum; this marginalization is embodied in vocals. But unlike American Idol or The Voice, these voices defy gravity. Kurt especially proves to the world that men can emulate women; his voice (and of course his expression) becomes iconic as "gender queer." Expression is so fundamental to sustaining one’s individuality and using it as a tool for empowerment and Glee does a phenomenal job of highlighting this motif in LGBT pop culture and beyond.
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