Showing posts with label heteronormativity. Show all posts
Showing posts with label heteronormativity. Show all posts

Sunday, March 18, 2012

Ahh, the Bromance


I had a real problem with a lot of the examples that were brought up in this article, but I’ll try to keep myself from ranting. To begin with, however, I would like to ask a simple question: why is it that as soon as intimate male bonds are depicted on television a name must be assigned to this concept in order to draw a distinction between friendship and homosexuality? As far as I know, no term has been coined regarding close female bonds – we don’t feel the need to announce to the world that WE ARE NOT LESBIANS. Why is this cultural phenomenon of “bromance” so easily condoned by the media and by society in general?

Our writer begins by stating that homosexuality has increasingly become more acceptable by society over the past couple decades…so why is there such a need to clarify this difference? The real problem to me is that, it seems, men believe that by showing emotion, care, and consideration for one another they are emasculating themselves. Close male bonds have always existed: why is it then that so recently men need an “excuse” to behave a certain way? Why is it that now they fear being mistaken as gay? A logical explanation I suppose would be that gay characters have received greater roles recently, or that acceptance of homosexuality IS in fact more common and thus men are fearful of being “seduced” into this lifestyle, as this is one of the criticisms of homosexuality that consistently comes up. To me, it’s just ridiculous that this term even exists. Men can just be friends – they don’t need to be “cool” by defining their friendships as “bromances.”

As for the reality TV show Bromance that acted as the central example in this essay, please give me a break and PLEASE tell me that nobody actually watched the show. This just seems like a pathetic excuse for a celebrity male to gain attention, to promote advertisements, and to perpetuate the stereotypes that are a result of heteronormativity. Congratulations – you had a gay contestant…you didn’t kick him off the show. Nonetheless, the contests that were conducted are not only misogynistic but they are also reinforcing the dominant discourse of the heterosexual male.

Sorry, but I couldn’t really help from ranting.

Sunday, February 19, 2012

The Contemporary Tomboy: breaking the binds of heteronormativity


The article "Little Butches: Tomboys in Hollywood Film" discusses the way the role of the tomboy in Hollywood movies (and its relation to femininity) has changed. While the tomboy is character to almost always undergo a transformation of sorts, it has typically been a transformation towards heternormativity.  This is particularly seen in the “postwar tomboy” who exhibits the fact that “gender is not a product of clothing and hair style alone but is predicated on a set of behaviors that bolsters a system of male dominance and females submission” (79).  In other words the postwar tomboy did not complete her transformation to a more feminine subject by simply changing her appearance, she also had to augment her behavior so that she better fits the heteronormative model that puts men in power.

Hatch then goes on to discuss the ways the role of the tomboy has continued to change since the conforming postwar tomboy.  She cites two movies, Bad News Bears and Little Darlings, as examples of the modern tomboy. Both of these movies present a tomboy character that undergoes a transformation that moves her away from the model discussed above.

An additional contemporary example of this new tomboy can be found in Suzanne Collins best-selling Hunger Games trilogy. Katniss Everdeen, the main character of the series, presents as a strong woman who specifically works against the oppressive forces in her life, all of which are led by men.  Her character not only presents as a physical tomboy (particularly seen in her preference for a simple outfit and understated braid than a formal gown and makeup), Katniss also represents a strong female character that moves beyond the heteronormative model.  While she is a heterosexual character, she finds her true strength only when she abandons the highly feminized persona that has been forced on her by others. Like Amanda in Bad News Bears, Katniss moves from bring a more feminine (and submissive) girl to someone who is empowered and fiercely independent.  Suzanne Collins has created an admirable tomboy character whose power will be further carried out as the books are made into films, the first being released in spring of 2012.

Tomboy... No More


Kristen Hatch's piece, Little Butches: Tomboys in Hollywood Film, discusses the evolution of the traditional tomboy image in Hollywood movies. According to the writer, the image of tomboys in Hollywood has evolved from a representation of immaturity in young women to a reaffirmation of heteronomativity in our society. Hatch argues that the image of tomboys in Hollywood was used as a representation of sexual immaturity and childhood. The author also discusses the gradual transformation of Hollywood's tomboy into a 'woman' who embraces femininity and heteronormativity is so assured that it serves as as a symbol of the "disciplining of gender and desire" (70).


As I was reading this piece, I found myself relating to the metamorphic process of some of the characters Hatch discusses. I was definitely a tomboy when I was younger. The age gap between myself and my sisters made it almost impossible for us to relate to each other. Instead, I hung out with my male cousins and I adopted their mannerisms over time. I even began to wear my cousin's clothes because it just didn't seem practical to me to try and play with the boys in my 'girl clothes.' Although I do not remember ever having a desire to actually be a boy, I do remember always feeling a lot more comfortable wearing basketball shorts and t-shirts, putting my hair into a ponytail and playing soccer with my male cousins. I was not a big fan of the dolls my parents bought me, but I loved my SEGA and I loved playing Sonic and Mortal Combat video games. I loved running around and climbing trees and I absolutely hated it when my mom would make me play with my girl cousins because I thought sitting around playing with dolls was boring. At the time, I didn't see anything wrong with this. I didn't want to be a boy and I loved the Powderpuff girls.


As I got older, however, my feminine side became more noticeable. I went through a phase when I was about 14 when I wore pink every single day of the week. I didn't do it as a way to declare my femininity, I just became obsessed with the color for some reason. I started fixing my hair a lot more often and wearing a lot more skirts as opposed to pants. Although my outward appearance became more feminine, I still retained a lot of the masculine mannerisms I had adopted from my male cousins. I still played/watched a lot of soccer, I still played video games, I still hung out with the boys, and my mom always commented on my 'boyish-mindset.' Although I have gradually become increasingly feminine, in the traditional sense of the word, it is apparent that I still retain a lot of the more traditional male characteristics in my mannerism, my tendency to cuss like a sailor, my assertiveness, my loudness, etc. I still love to watch sports, I'm still highly competitive and a part of one of the most aggressive women's flag football teams at Denison as an offensive line-woman (and I proudly rock my pink cleats on the field!). All of these things still mark me as a tomboy in my family's eyes, but to me they're simply a part of my personality and I fully accept and embrace that about myself.