Showing posts with label sexuality. Show all posts
Showing posts with label sexuality. Show all posts

Thursday, March 29, 2012

Misunderstood, Misinterpreted, and Mistreated



           In her article, Popular Culture and Queer Representation, Diane Raymond discusses analyzing media from a queer or non-dominant perspective.  Specifically she looks at three patterns within television comedies, 1) the increased appearance of GLBT major or supporting characters on television, 2) the gay pretender, and 3) the straight guy that is mistaken to be gay.  I think it is also interesting to point out another trope that some television shows have in which the gay character is misunderstood and not known to be gay.  This is something I would like to call the misunderstood gay, and I believe that Will and Grace is a perfect example of this.  On the show, it is clearly known to all of the viewers that Jack is gay.  One can tell by his mannerisms, the way he acts, the way he talks, and some of the different things he does.  The one that comes to mind for me is his “Just Jack” pose.  He has a lot of flamboyant gestures and facial expressions that show that he is seemingly gay, however, his mother, who has raised him, fails to realize that he is gay (Raymond, p. 102).  On the other hand, Will is gay, but not many people can come to realize this, especially first time viewers.  I know that when I first watched an episode I did not know that Will was gay, too.  The viewers may misunderstand Will because he lives with Grace, therefore some first time viewers may appear to believe that they are a couple.  Also, Will thinks that some of the things Jack does are just ridiculous, which is a typical thought of a straight man about a gay man.  Will has a way of hiding his sexuality, as if it is not acceptable for him to be gay.  No matter how gay or how “out” the character is on television, he/she is always misunderstood, misinterpreted, or mistreated.  

Sunday, February 19, 2012

Tomboy... No More


Kristen Hatch's piece, Little Butches: Tomboys in Hollywood Film, discusses the evolution of the traditional tomboy image in Hollywood movies. According to the writer, the image of tomboys in Hollywood has evolved from a representation of immaturity in young women to a reaffirmation of heteronomativity in our society. Hatch argues that the image of tomboys in Hollywood was used as a representation of sexual immaturity and childhood. The author also discusses the gradual transformation of Hollywood's tomboy into a 'woman' who embraces femininity and heteronormativity is so assured that it serves as as a symbol of the "disciplining of gender and desire" (70).


As I was reading this piece, I found myself relating to the metamorphic process of some of the characters Hatch discusses. I was definitely a tomboy when I was younger. The age gap between myself and my sisters made it almost impossible for us to relate to each other. Instead, I hung out with my male cousins and I adopted their mannerisms over time. I even began to wear my cousin's clothes because it just didn't seem practical to me to try and play with the boys in my 'girl clothes.' Although I do not remember ever having a desire to actually be a boy, I do remember always feeling a lot more comfortable wearing basketball shorts and t-shirts, putting my hair into a ponytail and playing soccer with my male cousins. I was not a big fan of the dolls my parents bought me, but I loved my SEGA and I loved playing Sonic and Mortal Combat video games. I loved running around and climbing trees and I absolutely hated it when my mom would make me play with my girl cousins because I thought sitting around playing with dolls was boring. At the time, I didn't see anything wrong with this. I didn't want to be a boy and I loved the Powderpuff girls.


As I got older, however, my feminine side became more noticeable. I went through a phase when I was about 14 when I wore pink every single day of the week. I didn't do it as a way to declare my femininity, I just became obsessed with the color for some reason. I started fixing my hair a lot more often and wearing a lot more skirts as opposed to pants. Although my outward appearance became more feminine, I still retained a lot of the masculine mannerisms I had adopted from my male cousins. I still played/watched a lot of soccer, I still played video games, I still hung out with the boys, and my mom always commented on my 'boyish-mindset.' Although I have gradually become increasingly feminine, in the traditional sense of the word, it is apparent that I still retain a lot of the more traditional male characteristics in my mannerism, my tendency to cuss like a sailor, my assertiveness, my loudness, etc. I still love to watch sports, I'm still highly competitive and a part of one of the most aggressive women's flag football teams at Denison as an offensive line-woman (and I proudly rock my pink cleats on the field!). All of these things still mark me as a tomboy in my family's eyes, but to me they're simply a part of my personality and I fully accept and embrace that about myself.

Monday, February 6, 2012

The Four Aspects of Signs- Symbol, Icon, Index and STOP

Gill and van-Zoonen analyze gender in media text with semiology as the study of signs and signification. Semotics originated in studies of language. Gill states that, “It is both a theory and a method, and works by unpacking and making explicit meanings that we all – as lay semiotics – create through our engagement,” (45). As semiology is the science a signs it is important to understand what such signs mean. There are obvious and subliminal signs throughout media texts, music, flags and fashion. Such signs are arbitrary and certainly issue feminists see that needs to be covered by a red stop sign. Because such signs vary from ionic, indexical and symbolic codes get messaged. Due to the fact that encoding is such a great component to our culture it is important that such sign are decoded correctly and honestly analyzed as best as possible. Within advertisement we see constant signs constructed by myths. In advertising we can distinguish who was such advertisement intended for and how does the advertiser send the message successfully in such a short span of time. We see the meanings of such signs by the presentation of the ad.
In this Super bowl ad for Teleflora we this dark haired, thin, ethic women being completely hyper sexualized. As there are hints to this ad targeting men, in heterosexual couples, to purchase flowers. We know that this ad is for men not only because she is seen as a sex object but also she hints that the man should give his girlfriend flowers but there also hinting at the fact that he should also give her sexual pleasures. In another ad we see women discussing their participation in objectifying another woman by simply using her piece of paper to paint on her body. The women who are painting state their tactic as a way to draw attention to the ad with a woman’s body.  The only sign that I saw while watching these ads was STOP. That is exactly why while watch these commercials I spoke to my friends accompanying me about the objectification and the meaning to such signs.